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- Factory has announced, via social media, that it’s bringing the 1958 creature feature Monster On The Campus to its Scream Factory line of horror blu-rays this Summer. Scream Factory Announces ‘The Entity’ Collector’s Edition Blu-ray. Mod-March 5, 2019. That it's bringing a limited edition Steelbook of the classic 1978.
- See more of Scream Factory on Facebook. Create New Account. - Receive the Collector’s Edition Blu-ray with slipcover Pre-order through us now @ https. - Receive the Collector’s Edition Blu-ray with slipcover - Receive a limited-edition 18” x 24” poster of the newly-designed art from Paul Shipper.
Long before the wild success of Guardians of the Galaxy and ten years after writing Tromeo and Juliet, James Gunn made his directorial debut with the Troma-infused Slither (2006), a campy slice of horror-comedy hoping to capitalize on the recent success of films like Shaun of the Dead. Though it didn't connect with audiences during its theatrical run, Slither plays its cards right with plenty of slime, scares and self-deprecation, acting as more of a humble ode to the genre than something altogether new and different. Boasting an assortment of tongue-in-cheek characters and an ample amount of disgustingly disturbing monsters, Slither should appeal to anyone who enjoys great green gobs of over-the-top schlock. This is not a perfect film, but it's still a lot of fun and has held up fine during the last 11 years.
The 1982 John Carpenter directed film “The Thing” starring Kurt Russell is coming to Blu-ray Disc in a Limited Edition Steelbook release on November 6th via Scream Factory (Shout! Factory) in collaboration with Universal Studios.
From start to finish, Slither feels like a film made with die-hard horror fans in mind, dishing out non-stop nods to classics like The Thing, Rosemary's Baby, and David Cronenberg's Shivers, with plenty of similarities to other films like Invasion of the Body Snatchers, Night of the Living Dead, Tremors, and especially Night of the Creeps. Fans of The X-Files should instantly be reminded of quirky, off-center episodes like 'Bad Blood' and 'War of the Coprophages', while Troma disciples should feel right at home too. So while Slither's obvious 'comfort level' of familiarity keeps it from being much more than the sum of its parts, Gunn's film manages to leave its own stamp on the genre in a few subtle ways.
Thanks to a well-rounded series of performances by its capable cast, Slither never takes itself too seriously. Nathan Fillion (Firefly) is perfectly cast as the laid-back, deadpan sheriff Bill Pardy, while Michael Rooker (Henry: Portrait of a Serial Killer) does a fantastic job as the meat-hungry Grant Grant. Supporting roles are filled nicely by Elizabeth Banks (The 40 Year-Old Virgin), Gregg Henry (United 93), Tania Saulnier (Caitlin's Way) and Gunn's then-wife, Jenna Fischer (The Office), creating a caricatured collection of citizens that never strays too far over the top. The small-town setting of Wheelsy, SC also gives Slither an appropriately closed-off atmosphere that suits the story well.
Also of note are the excellent special effects, a potent mix of practical handiwork and CGI that gives Slither a convincingly campy backdrop. There's more gross-out than actual gore on display (read: slime > blood), though there's no shortage of victims nonetheless. Between a few exploding heads, flesh-eating zombies, and pounds of rotting meat, even veteran horror fans may feel a bit queasy. Again, Slither is saved by the fact that it serves up these disgusting visuals with a knowing wink, as almost every bit of violence is played entirely for laughs. It may not win any awards for originality, but it's obvious that those involved had a lot of fun and their enthusiasm clearly shows.
If Slither has one problem, it's the pacing. Clocking in at just over 90 minutes, it admittedly takes much too long to kick into high gear---and once it's over, you'll probably wish that the first 60 minutes were more like the last 30. Several early moments, like Grant's initial argument with Starla and his transformation in the woods, could have been trimmed quite a bit with almost no impact to the story. The infamous 'bathtub scene' (depicted on the front cover) is another good example of this, as it introduces a completely new character much too late in the film. It's a great scene in its own right, but feels like more of a forced detour that should've happened much earlier. Even with the slower introduction and pacing problems, though, Slither should entertain those looking for a laughs and thrills in equal doses.
Originally presented on DVD (and HD DVD, may it rest it peace) by Universal, Slither has finally been ported to Blu-ray in its home country by none other than the good folks at Shout Factory. It's a stacked disc on paper: we finally get a full 1080p transfer, lossless audio, and even a few new bonus features on top of all the old ones...but overall, this Collector's Edition isn't exactly leaps and bounds ahead of what's been available for over a decade now.
The good news is that, unless you've been region free for several years, Shout Factory's new Blu-ray represents the first 1080p transfer of Slither around these parts (HD DVD was typically a half-step behind at 1080i). This is a clean and relatively good-looking transfer that exhibits solid image detail, good color saturation, consistently deep black levels, and notable amounts of texture at certain points. The bad news is that this is obviously taken from the same source material as its older counterparts, as no new restoration or scan is advertised anywhere on the packaging. So while Slither would certainly look better with a little more spit and polish, this at least represents a modest upgrade from the previous HD DVD (and, at the very least, isn't a flipper disc). Keep your expectations in check with this one.
Slither's audio, on the other hand, gets a slightly larger boost: the HD DVD maxed out at a lossy Dolby Digital Plus 5.1 mix, so the Blu-ray's lossless DTS-HD Master Audio 5.1 track offers a clear improvement in overall clarity and dynamic range. This is a great sounding film with some nice attention to detail, along with a few punchy jump scares and plenty of squelching, slimy gross-out sounds at all the right moments. Dialogue is mixed well and easy to understand, while the score by Tyler Bates (a long-time film composer and frequent collaborator with Gunn, who also currently works with Marilyn Manson) makes its presence known without hogging the spotlight. Optional English subtitles are included during the main feature, although they've got a few embarrassing typos. ('Lime disease'? Really?)
The interface is presented in Shout's typical no-frills style with smooth, simple navigation and the bare minimum of pre-menu distractions. Separate options are provided for chapter selection, audio/subtitle setup, and bonus features. This one-disc release is packaged in a standard keepcase with reversible cover artwork and a matching slipcover.
Three exclusive extras are featured here. Leading off is a new Audio Commentary featuring writer/director James Gunn, who's jointed by actors Nathan Fillion and Michael Rooker (the packaging mentions 'cast members', which is kind of misleading). Either way, it's a fun chat and topics of interest include the production design, assembling the cast, shooting in Vancouver, minor characters and cameos, makeup and visual effects, difficult shots, cutting some of the more graphic moments, favorite scenes, working with a low budget, and much more. The tone is a lot more energetic and enthusiastic than Gunn and Fillion's 2006 commentary, (also included - see below), but there's also a bit of overlap here and there. Overall, it's nice to have some retrospective input, even if their memories aren't exactly fresh.
Two recent Video Interviews continue the new goodies. James Gunn (29:38) speaks about writing the script, early years at Troma, balancing the ordinary with the outlandish, his surprising career path, and many other memories from his first Hollywood film. Meanwhile, Gregg Henry (8:08) discusses working with the director, improvising a few lines, working under prosthetics and makeup, and eating a delicious arm. It's a lot less in-depth than the Gunn interview and feels more than a little rushed for time, but good to have it either way. Also technically new to home video---but not advertised as such---is the film's Theatrical Trailer (1:28), which is always great to have for posterity.
Luckily, everything of interest from the 2006 DVD is also included. These recycled extras include a 2006 feature-length Audio Commentary with director James Gunn and star Nathan Fillion, 'The Sick Minds and Slimy Days of Slither' (10:03), a 'Slithery Set Tour with Nathan Fillion', 'Visual Effects: Step by Step' (5:02), 'Bringing Slither's Creatures to Life' (18:04), 'Gorehound Grill: Brewin' the Blood' (3:34), a collection of Deleted & Extended Scenes with optional audio commentary by James Gunn (12 clips, 17:13 total), 'The King of Cult: Lloyd Kaufman's Video Diary' (8:59), 'Who is Bill Pardy?' (5:14), and a Gag Reel (8:12). Overall, no complaints...this is quite a stacked disc.
James Gunn's Slither isn't the most bulletproof directorial debut, but it's still a good time at the movies. Featuring fun performances, outstanding gore effects, and a much-needed light touch, there's a lot to like here...even if the whole doesn't add up to much more than the sum of its parts. Shout Factory's welcome Collector's Edition Blu-ray finally replaces Universal's DVD and HD DVD editions, though surprisingly not by all that much: the A/V presentation only offers a modest bump in quality, and only a few items have been added to the already-stacked list of extras. But fans will be glad to finally have this, and first timers should enjoy themselves as well. Recommended.
10 to Midnight may not be top-quality Charles Bronson though story wise, the writing, even my personal qualms of a detective doing what he does, is far stronger than Death Wish.
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10 to Midnight
— Collector’s Edition —
(1983)
Genre(s): Drama, Crime
Shout Factory | R – 102 min. – $39.93 | January 22, 2019
Date Published: 01/10/2019 | Author: The Movieman
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Shout Factory provided me with a free copy of the Blu-ray I reviewed in this Blog Post.
The opinions I share are my own.
THE MOVIE — 3.25/5 |
Note: This review does contain some MAJOR PLOT SPOILERS, so reader beware. Plot Synopsis: Imagine a movie where Paul Kersey from Death Wish got a badge. You would get 10 to Midnight, a movie starring Charles Bronson as police detective Leo Kessler who is hunting down a serial murderer, stabbing several women while in the buff. However, the killer, Warren Stacy (GENE DAVIS), is elusive and when no evidence exists to put him away, Kessler does all he can, including planting evidence no less, to take him down, especially when Stacy sets his sights on Kessler’s daughter (LISA EILBACHER). Review: Generally, I enjoy Charles Bronson’s movies. No, he’s not some amazing actor or anything but he brought a certain gravitas to any of his roles from his violence vigilante in the aforementioned Kersey character in the Death Wish franchise to his part in the Western ensemble, The Magnificent Seven and the war-drama, X-15. Here, I did like him but when Kessler actually plants the blood evidence, it was a bit hard to emphasize with the character, even though yes Stacy was indeed the killer. And then we get to the finale, gun drawn on the Stacy and, having been (rightfully) fired, performs vigilante justice… then credits role leaving out the part Kessler likely would’ve been arrested and charged at the very least for second degree murder. In any case, the supporting cast was pretty decent. Andrew Stevens was good as Bronson’s rookie and morally-centered partner while Lisa Eilbacher (was the female lead in Beverly Hills Cop) was a lot of fun, playing well off of both Stevens and Bronson. 10 to Midnight is hardly perfect and as crime-dramas go, is probably most notable for being fairly violent with some graphic nudity thrown in. It was helmed by J. Lee Thompson (Happy Birthday to Me) and through his career, worked with Bronson a total of nine times (including Death Wish 4 and his final film, Kinjite: Forbidden Subjects). Despite my issues with the Kessler character on moral grounds, there was a decent amount of entertainment in this brutal 1980s-era crime-drama, if only to see Bronson’s intensity facing off against Gene Davis’s utterly crazy and admittedly brave performance. If you haven’t seen this movie before, and are a fan of Bronson, this is well worth checking out. |
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SPECIAL FEATURES – 3.25/5 |
This release from Shout’s Scream Factory line includes a matted slip cover and the interior cover is reversible revealing the film’s original poster artwork. All of the features that were on the (sold out) Twilight Time release are available here as well. Audio Commentaries:
These are pretty tracks with the first, new to this release, giving a more historical perspective about Bronson and the themes presented in the movie while the second, which I believe was recorded for the Twilight Time release, gives more of a first-hand account with Del Valle serving well as a moderating but also expanding on the history of the project. Interviews:
All of these new interviews are pretty good, offering glimpses at the production behind the movie with Hool giving a more nuanced look on the financial side while the actors provide their on-set stories, like working with Charles Bronson. Rounding things out is the Theatrical Trailer (2:14; HD), a few Radio Spots (1:39; HD) and an Image Gallery (6:56; HD). |
VIDEO – 4.75/5 |
| Shout Factory releases 10 to Midnight on Blu-ray, making this the second release on the format following the Twilight Time release (which has since sold out). The movie is presented in its original 1.85 widescreen aspect ratio and a new 1080p high-definition transfer, which according to the back cover came via a 4K scan of the original camera negative. I can’t speak to how this compares to the TT transfer, but what we get here looks absolutely amazing. Detail is sharp throughout and the natural film grain and noise is intact giving as good of the theatrical presentation as possible. Skin tones appear natural looking and outside a few (very) minor scratches and dust marks, this is fairly clean. |
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AUDIO – 4.25/5 |
| Included on this release is likely the same audio track from the TT version. The DTS-HD Master Audio Mono track sounds rather good. Dialogue levels come through with good clarity and even the thrill-scenes with the blood-curdling screams and some gunfire had a moderate amount of depth to them. Nothing outstanding but as it goes for a movie 30+ years old, doesn’t sound at all half bad. |
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OVERALL – 3.75/5 |
Overall, 10 to Midnight may not be top-quality Charles Bronson though story wise, the writing, even my personal qualms of a detective doing what he does, is far stronger than Death Wish, and the film does showcase some decent performances including Bronson himself. This Collector’s Edition Blu-ray from Shout Factory offers up excellent video and above average audio transfers and a good selection of bonus features. |
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Check out some more 1080p screen caps by going to page 2. Please note, these do contain spoilers.